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Previous CAS Presentations
Jan 22, 2008
One Laptop Per Child: Technology and the Developing World
May 2, 2007
Serious Games: Video Games in Undergraduate General Education
February 15, 2006
The Pakistan Earthquake: A Wake-up Call for Mid-America?
January 27, 2006
CAS Forum on Critical Issues: Immigration
September 26, 2005
Katrina and Other Megacatastrophes: Science, Policy and Human Behavior
February 23, 2005
CAS Forum on Critical Issues: Reforming Social Security
February 17, 2005
Origins of a Networked World: From World War II to the Internet
November 16, 2004
Coole Lady
April 28, 2004
Hospital Tax Forum
October 3, 2003 Carlo Rotella
March 12, 2003
Sheldon Jacobson
February 5, 2003
George Gollin
December 5, 2002
Civil Liberty and National Security
October 7, 2002
Ania Loomba
February 28, 2002
Hans Heinrich Hock
January 22, 2002
Dianne Pinderhughes
November 5, 2001
Jean-Pierre Leburton
November 5, 2001
From Chaos to Pilgrimage
October 23, 2001
Donald Crummey
October 16, 2001
Globalization
August 29, 2001
Stem Cells
September 28, 2001
Bill Greenough
May 3, 2001
Dialogue on Toulouse-Lautrec
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cas : cas presentations
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Dialogue on Toulouse-Lautrec
May 3, 2001
Thursday, 3:00 p.m.
Room 62, Krannert Art Museum
500 East Peabody Drive
University of Illinois at Urbana-Champaign
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3:00 p.m.
Opening Remarks
Welcome: Masumi Iriye, Assistant Director, Center for Advanced Study
Introduction: Josef Helfenstein, Director, Krannert Art Museum
3:15 p.m.
Henri de Toulouse-Lautrec, Music Halls and Brothels, Aristocracy & Anarchist
Reinhold Heller, Professor, Art History and Germanic Studies, University of Chicago
Abstract: In his paintings and posters, Henri de Toulouse-Lautrec frequently focused on the demimonde of Montmartre, especially the world of music hall entertainers and audiences, and also that of fashionable brothels. This talk considers these aspects of Lautrecs work and views them in the context of his relationship to his family as well as to contemporary political situations of the 1890s in Paris.
4:00 p.m.
Art for the Universal Soul--Toulouse-Lautrec and the Modern Metropolis
Stephen F. Eisenman, Professor, Art History, Northwestern University
Abstract: There is the appearance of a new mass audience for visual art in Paris toward the end of the nineteenth-century, and the efforts of artists to devise appropriately metropolitan forms and styles. Toulouse-Lautrec is particularly interesting in this regard, because he clearly sought to steer a path between realism (a tradition generally derived from Courbet) and modernism or expressionism (a lineage that may be traced back to Manet and the Impressionists). Toulouse-Lautrecs most ambitious efforts in this respect, and for this reason probably his greatest failures, are his posters. Though Roger-Marx spoke of their appeal to the Universal soul, and compared them to the art of the fresco, they in fact played little if any role in the education or liberation of popular consciousness.
UIUC faculty discussion panel organized by David O'Brien, Professor, History of Art
Exhibition will be open until 7:00 p.m.
This dialogue is held in conjunction with Toulouse-Lautrec: Artist of Montmartre, on view at the Krannert Art Museum through August 5, 2001, showcasing the Museum's substantial holdings of more than forty lithographs, posters, and drawings by the French nineteenth-century modernist Henri de Toulouse-Lautrec.
For further information about lectures, tours, and films related to the exhibition Toulouse-Lautrec: Artist of Montmartre, please phone 217/333-1861 or consult www.art.uiuc.edu/kam.
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